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Music & ... Nationalism
3rd Global Interdisciplinary Conference

 

Friday 16th April 2021 – Saturday 17th April 2021
Vienna, Austria

This event has been moved online due to COVID-19.

Music is commonly regarded as a universal language, and yet it is also through music that the fiercest of nationalistic sentiments and inspirations for protest and rebellion have been expressed.

As a unifying force, music has frequently been used in the quest to establish a national identity as well as to emphasise social and political beliefs and promote particular agendas. But in doing so, music also establishes ‘others’ who do not belong to the collective. In light of political scientist and historian Benedict Anderson’s characterisation of nationalism as an imagined community, it is hardly surprising that music, with its extraordinary power over the human imagination, should play such an integral part in the way nationalism is constructed and understood.

 

The nineteenth century saw a development in the quest by many composers for a spirit of nationalism in their music, particularly those with an interest in folk song, and/or a passion for independent identities.  The modern corollary is that national anthems are still sung at the beginning of mass public events, to recognise achievement in competitive sports, such as the Olympic Games, at important civic occasions, thereby signifying the inextricable bond between music and nationalism.

 

But why does music have the capacity to direct the human imagination in this way? What does a nation sound like—or, to put it another way, why does a particular musical piece conjure up feelings of belonging to a particular nation? What aspects of the nation and its people are highlighted and what aspects are ignored by nationalistic music? How does nationalism influence the reception of music? Does being part of a particular national background shape an individual’s sense of music? How is music used against nationalistic impulses, and for protests generally? How can music be used to provide education about identities, nations, and causes? In what way does music still support the construction of national identity even when it is not deliberately conceived for that purpose? What happens when the nationalistic meaning of music is contested and reworked? Does it still make sense to think in terms of music and nationalism in the age of globalism? What does the future hold for the connection between music and nationalism?

The Music and Nationalism event provides a platform for exploring these questions through inter-disciplinary dialogue and interactive engagement.

Key Topics

Key topics, themes and issues for discussion may include, but are definitely not limited to:

  • Music and nationalism in a global context
  • Music, nationalism and New Europe
  • ‘Rebel’ /protest songs
  • National Anthems (composition, performance, context)
  • Music and propaganda
  • Folk Songs and nationalism
  • The Place of nationalism in the musical canon
  • Composers and performers who are associated with nationalism
  • Music theory perspectives
  • Representations of music and nationalism in written texts, encompassing song lyrics and beyond
  • National imagination and musical tastes, e.g. via the Eurovision Song Contest
  • Nationalism and the musical canon
  • Music, nationalism and diasporas
  • Nationalism and opera
  • The Folk Song repertoire
  • Music, nationalism and art
  • Popular music and nationalism, e.g. punk and New Wave
  • Physiological/psychological perspectives on connections between music and nationalism
  • Intellectual property and financial considerations associated with nationalist music
  • Pedagogy issues: teaching pupils the music of national identity

What To Send

The aim of this interdisciplinary conference and collaborative networking event is to bring people together and encourage creative conversations in the context of a variety of formats: papers, seminars, workshops, storytelling, performances, poster presentations, panels, q&a’s, round-tables etc.

300 word proposals, presentations, abstracts and other forms of contribution and participation should be submitted by Friday 25th September 2020. Other forms of participation should be discussed in advance with the Organising Chair.

All submissions will be minimally double reviewed, under anonymous (blind) conditions, by a global panel drawn from members of the Project Development Team and the Advisory Board. In practice our procedures usually entail that by the time a proposal is accepted, it will have been triple and quadruple reviewed.

You will be notified of the panel’s decision by Friday 9th October 2020.

If your submission is accepted for the conference, a full draft of your contribution should be submitted by Friday 12th February 2021

Abstracts and proposals may be in Word, PDF, RTF or Notepad formats with the following information and in this order:
a) author(s), b) affiliation as you would like it to appear in the programme, c) email address, d) title of proposal, e) body of proposal, f) up to 10 keywords.

E-mails should be entitled: Music and Nationalism Submission.

Where To Send

Abstracts should be submitted simultaneously to the Organising Chair and the Project Administrator:

Marie Bennett: mariejb27@hotmail.com
Project Administratorviennamn2@progressiveconnexions.net

Details and Information

 

Registration Fees

The cost for attending the conference is £145. This includes:

~ conference registration fee
~ online registration
~ online abstract and programme submissions
~ access to the conferencing platform
~ ~ a virtual registration areas where conference information and materials will be available
~~  virtual ePoster possibilities
~ ~ virtual break out rooms
~ ~ virtual one-to-one meeting capabilities
~ ~ virtual networking rooms

~ electronic book of Abstracts
~ access to downloads of all conference materials
~ physical copy book of abstracts (on request)

~ participation in project output discussion session
~ live session with the publications team as part of a development meeting
~ discounted rates for any outputs emerging from the event

Calendar of time-lines and deadlines

Friday 25th September 2020
Abstract/Presentation submission

Friday 9th October
Acceptance/Rejection notification

Friday 30th October 2020
Booking Form Submissions

by Friday 13th November 2020
Circulation of Draft Programme
Invoices issued

Monday 14th December 2020
Final date for payment

Friday 22nd January 2021
Circulation of Revised Programme
Full draft of presentation to be submitted

Friday 19th March 2021
Final programme to printing

The conferences, meetings and events we organise are not single ‘one-off’ events. They are part of a continual stream of conversations, activities and projects which grow and evolve in different directions. At the conclusion of every meeting, the question needs to be considered: What happens next? After all, there is little personal, educational or professional benefit in gathering people together from around the world and sharing all sorts of fascinating conversations if nothing further is going to happen as a result!

The possible ranges of ‘outputs’ which can productively flow from our meetings is a dynamic response to the dialogues, issues and engagements that take place during the events themselves. And as our meetings are attended by folks who come from different backgrounds, contexts, professions and vocations, what people would like to see developed as a result of our time spent together will always be potentially diverse, fluid and appropriate to what took place.

One range of possible outputs involves publication as a way of continuing the work of a project. Where publishing is a possibility, it is directly referenced in the Call for Papers, Presentations and Participation. Other possible outputs may include, but are not limited to:
~ social media platforms such as Facebook pages and groups, blogs, wikis, Twitter, as vehicles for continuing dialogues, disseminating knowledge and information and bringing new people into the work of the project
~ reviews; reports; policy statements; position papers/statements; declarations of principles
~ proposals for meetings, workshops, courses, schools
~ collaboration gateways, platforms and media
~ personal and professional development opportunities: faculty development; mentoring programmes; cultural cruises; consultancies; summer schools; personal enrichment programmes

The range of outputs is dependent on how little or how much you would like to become involved. Don’t let the end of the meeting signal the end of your involvement with the project. Please get involved, bounce ideas around, think out loud – we’d love to hear about what you’d like to do and are always happy to talk about what is possible.

Payment Process
Participants must complete the online booking form by Friday 30th October 2020 at the latest.
After the deadline has expired, an invoice will be drawn up and sent to you; the invoice will contain all the necessary information for you to pay by bank transfer, cheque, Paypal or credit card.
The invoice must be settled by Monday 14th December 2020.

It is the responsibility of delegates to ensure that payment is made by this date. Failure to receive payment will result in your booking being cancelled.

Payment Methods
There are a number of ways payment can be made.

Cheque
Payment can be made by cheque, in GBP (£ sterling) only and must be drawn against a bank with headquarters in the United Kingdom. Cheques should be made payable to ‘Progressive Connexions’ and sent, with a copy of the booking form, to:

Dr Rob Fisher
Progressive Connexions
Priory House
149b Wroslyn Road
Freeland
Oxfordshire. OX29 8HR
United Kingdom

We regret we cannot and will not accept cheques made payable in currencies other than GBP Sterling.

Bank Transfer Payment may be made using bank transfer. There will be an option to pay in either GBP (£ Sterling) or Euro (€). Full details to enable a bank transfer are made available on your conference invoice. If paying by this method, you must agree to pay all charges at the sending and receiving banks.

By Invoice
You may request that an invoice be sent to you which you may forward to your institution. It is your responsibility to ensure that the invoice is paid before the payment deadline.

Online
Your invoice will include a link to pay through a secure and encrypted online payment system. Please click the link to use this method.

Credit Card
Payment may also be made using credit card. We cannot accept American Express or Discovery as a form of payment.

Paypal
Payment may also be made using Paypal. If paying by this method please send us the email account connected with your Paypal account and we will forward you a request for payment.

IMPORTANT
We strongly recommend that all delegates take out some form of travel or other insurance in relation to any and all travel arrangements or accommodation booked in regard to the conference. This should include cancellation insurance in the event of unforeseen or unexpected circumstances.

All fees are payable in advance. No delegate will be permitted entry to the conference if an invoice is still unpaid.

What’s so Special?

A fresh, friendly, dynamic format – at Progressive Connexions we are dedicated to breaking away from the stuffy, old-fashion conference formats, where endless presentations are read aloud off PowerPoints. We work to bring you an interactive format, where exchange of experience and information is alternated with captivating workshops, engaging debates and round tables, time set aside for getting to know each other and for discussing common future projects and initiatives, all in a warm, relaxed, egalitarian atmosphere.

 

A chance to network with international professionals – the beauty of our interdisciplinary events is that they bring together professionals from all over the world and from various fields of activity, all joined together by a shared passion. Not only will the exchange of experience, knowledge and stories be extremely valuable in itself, but we seek to create lasting, ever-growing communities around our projects, which will become a valuable resource for those belonging to them.

 

A chance to be part of constructing change – There is only one thing we love as much as promoting knowledge: promoting real, lasting social change by encouraging our participants to take collective action, under whichever form is most suited to their needs and expertise (policy proposals, measuring instruments, research projects, educational materials, etc.) We will support all such actions in the aftermath of the event as well, providing a platform for further discussions, advice from the experts on our Project Advisory Team and various other tools and intellectual resources, as needed.

 

An opportunity to discuss things that matter to you – Our events are not only about discussing how things work in the respective field, but also about how people work in that field – what are the struggles, problems and solutions professionals have found in their line of work, what are the areas where better communication among specialists is needed and how the interdisciplinary approach can help bridge those gaps and help provide answers to questions from specific areas of activity.

 

An unforgettable experience – When participating in a Progressive Connexions event, there is a good chance you will make some long-time friends. Our group sizes are intimate, our venues are comfortable and relaxing and our event locations are suited to the history and culture of the event.

Ethos

Progressive Connexions believes it is a mark of personal courtesy and professional respect to your colleagues that all delegates should attend for the full duration of the meeting. If you are unable to make this commitment, please do not submit an abstract or proposal for presentation.

 

Please note: Progressive Connexions is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence, nor can we offer discounts off published rates and fees.

Progressive Connexions is a not-for-profit network inspiring inclusive interdisciplinary research, publishing and collaboration

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