LONDON, ENGLAND – SEPTEMBER 11: Conductor Jiri Belohlavek and soloist Renee Fleming perform ‘Rule Britannia’ at the last night of the Proms at the Royal Albert Hall on September 11, 2010 in London, England. (Photo by Matt Kent/WireImage)
2nd Global Conference
Music &….Nationalism
Friday 29th June 2018 – Saturday 30th June 2018
Palermo, Italy
Final Conference Programme
Friday 29th June 2018
08:30 – 09:00
Registration
09:00 – 09:30
Welcome and Opening Words: Niall Scott
09:30 – 10:30
Session 1: Music, Nationalism and Politics – Ideas Wall and Group Discussion
Niall Scott
10:30 – 11:00
Tea/Coffee
11:00 – 12:30
Session 2: Music of Protest and Resistance: Colonial and Postcolonial Concerns
Chair: Anaïs Maro
Booing Their Own National Anthem: Hong Kong’ Postcolonial Misidentification
Leiya Lee
“March of the Volunteers”: from Music of Resistance to National Anthem
Ling Zhang
12:30 – 14:00
Lunch
14:00 – 15:30
Session 3: Music of Protest and Resistance
Chair: Sonali Barua
Protest Songs – Seeds of Hope
Rebecca Jacoby
“Land of the Free?”: The United States National Anthem Protest
Nicholas Villanueva
15:30 – 16:00
Tea/Coffee
16:00 – 17:00
Session 4: Roundtable
Moderator: Niall Scott
17:00 – 17:30
End of Day 1 Consolidation and Cross Panel Issues
17:30
Wine and Drinks Reception
Saturday 30th June 2018
09:00 – 10:30
Session 5: National Anthems and Controversies
Chair: Rebecca Jacoby
The Kalifornia Dreamstock of The Yankee Reaper: Subversions of Nationalism in the Music of Carl Stone
Jack Goldstein
National Anthem Controversy and the ‘Spirit of Language’ Myth in Japan
Naoko Hosokawa
Nationalism, Fascism and Identity in English Extreme Metal Music
Niall Scott
10:30 – 11:00
Tea/Coffee
11.00 – 12.30
Session 6: Indian Nationalism and Music: Contemporary Perspectives
Chair: Leiya Lee
The Affective Resonances of Gharana: 21st Century Anamnesis in Indian Raga Music
Sonali Barua
Anthem of Nationalism: Music and Governance in Today’s India
Budhaditya Bhattacharyya
12.30 – 14.00
Lunch
14.00 – 15.30
Session 7: National Identity, Imagination and Myth
Chair: Ling Zhang
Imagining Oromumma in Music: A History of Oromo Nationalism and the Birth of Oromo Music
Anaïs Maro
Variations on a Nationalistic Theme: Subjectivity and Agency in Nineteen-Century Improvisation
Angeles Sancho-Velázquez
15:30 – 16:00
Tea/Coffee
16.00 – 17.00
Session 8: End of Day 2 Consolidation and Cross Panel Issues
17.00 – 17:30
Development Planning, Final Words, Photographs & Goodbyes